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New York Premiere
SALLY & TOM
By Suzan-Lori Parks
Directed by Steve H. Broadnax III
In Association with The Guthrie Theater
Pulitzer Prize-winning playwright Suzan-Lori Parks, the author of last season’s The Harder They Come, returns to her artistic home with an edgy dramedy that celebrates the craft of theater while taking a hard look at history.
The off-off-off-Broadway theater troupe Good Company is putting on a play about Sally Hemings and Thomas Jefferson. Writer Luce is cast as Sally; her romantic partner, and the play’s director, Mike, is cast as Tom—really, people, what could possibly go wrong?
In association with Minneapolis’s acclaimed Guthrie Theater, this funny, ferocious new work is about art, politics, and the contradictions that make all of us. Directed by Steve H. Broadnax III, SALLY & TOM is an unmissable New York premiere from one of our finest and most daring playwrights.
Content and Production Effect Warning
Production effects and content sensitivities vary from person to person, and we encourage you to contact us ([email protected] or 212.967.7555) if you have questions about any production. This production contains the use of herbal cigarettes.
Dive Deeper
Sun Mee Chomet
Scout/Polly
SUN MEE CHOMET she/her (Scout/Polly). Off-Broadway credits include brownsville song (b-side for tray) (Lincoln Center; Lucille Lortel nomination). National tours include Mary Zimmerman’s Metamorphoses. Regional productions include How to Be a Korean Woman (Theater J); Suzan-Lori Parks’ Sally & Tom, Kate Hamill’s Emma, Tony Kushner’s Intelligent Homosexual…, Seamus Heaney’s Burial at Thebes, King Lear (Guthrie Theater); Lloyd Suh’s Bina’s Six Apples (Alliance Theater/Children’s Theatre Company; Suzi Bass Award); Leah Nanako Winkler’s Two Mile Hollow and Qui Nguyen’s Vietgone (Mixed Blood Theater). Film credits include Stay Then Go. TCG Fox Fellow.
Gabriel Ebert
Mike/Tom
GABRIEL EBERT (Mike/Tom) won a Tony Award for his portrayal of Mr. Wormwood in Matilda the Musical. Other theater credits include The Untitled Unauthorized Hunter S. Thompson Musical, Local Hero, Pass Over (Lortel Award), Casa Valentina, Thérèse Raquin, Brief Encounter, Time and the Conways, Preludes, Gently Down the Stream, Prometheus Bound, Peer Gynt, and 4000 Miles (Obie Award). Film/TV credits include “Sinking Spring” (upcoming), “Dickinson,” “Mr. Mercedes,” News of the World, Jane Wants a Boyfriend, “I Am a Seagull,” and The Immortal Life of Henrietta Lacks. As a singer, Ebert has performed at Carnegie Hall and Royal Albert Hall, and with the New York Philharmonic. Ebert graduated from Juilliard as a member of Group 38.
Leland Fowler
Devon/Nathan
LELAND FOWLER (Devon/Nathan). Off-Broadway credits include Plays for the Plague Year, Henry V, A Midsummer Night’s Dream (The Public); This Land Was Made (Vineyard); one in two (The New Group); Novenas…(Rattlestick); If Pretty Hurts…(Playwrights Horizons); and Measure for Measure (TFANA). Fowler has also performed at Williamstown, Dorset Theatre Festival, St. Louis Shakespeare Festival, Westport Country Playhouse, McCarter, Yale Rep, and Alliance Theatre. TV credits include “City on a Hill.” Fowler holds a BA from Morehouse College and MFA from Yale School of Drama. Fowler is a member of the Actor’s Center.
Sheria Irving
Lucy/Sally
SHERIA IRVING (Luce/Sally). Broadway credits include Romeo and Juliet. Off-Broadway/Regional credits include White Noise (The Public Theater); While I Yet Live (Primary Stages), Crowndation (National Black Theater, Center Theater Group); Fit for a Queen (Classical Theater of Harlem); and The Model American (Williamstown Theater Festival); Cymbeline, The Winter’s Tale (Yale Rep). TV/Film credits include “Kindred,” Bobcat Moretti, “Them,” “Twenties,” “The Good Wife,” and “Madam Secretary.” Irving is the founder of the nonprofit Shaping Her Earth, shapingherearth.org. MFA Yale School of Drama. sheriairving.com
Kristolyn Lloyd
Maggie/Mary
KRISTOLYN LLOYD she/her (Maggie/Mary) is a Grammy and Emmy Award-winning actress. Broadway credits include 1776 and Dear Evan Hansen. Lloyd’s Off-Broadway credits include Blue Ridge (Atlantic); Paradise Blue, Confederates (The Signature Theatre); Hamlet (The Public Theater); Invisible Thread (Second Stage Theatre); Heathers: The Musical (New World Stages); Cabin in the Sky (Encores! City Center); and Little Women (Primary Stages). Selected regional productions include Paradise Blue (Williamstown); Witness Uganda (A.R.T.); and Hairspray and Rent (Hollywood Bowl). TV credits include “Random Acts of Flyness,” “Elementary,” “Madam Secretary,” “Kevin Can Wait,” “ER,” “Chicago Med,” and “Lie to Me.” @kristolynlloyd
Peter McNally
Understudy Mike/Tom, Geoff/Cooper/Colonel Carey/Mr. Tobias
PETER MCNALLY he/him (Understudy Mike/Tom, Geoff/Cooper/Colonel Carey/Mr. Tobias). Off-Broadway: Sincerity Forever, Sybil Kemspon’s Sasquatch Rituals. Film: Good One, The Influencer, Mixtape Marauders. BA: Fordham. MFA: NYU.
Alano Miller
Kwame/James
ALANO MILLER (Kwame/James). Theater credits include Tarell Alvin McCraney’s acclaimed Brother/Sister Plays (The McCarter), Broke-ology (Lincoln Center), and Fences. TV credits include “The Morning Show,” “DMZ,” “Dexter: New Blood,” “Cherish the Day,” “The Red Line,” “Jane the Virgin,” “Halt and Catch Fire,” “Underground” (Hollywood Reporter “30 Emmy Supporting Actor contenders”), and the Emmy-winning “B.A.N.” episode of “Atlanta.” Film credits include Sylvie’s Love, Golden Globe nominee Loving (NAACP Image Award Supporting Actor nomination) and Wish You Well.
Kate Nowlin
Ginger/Patsy
KATE NOWLIN she/her (Ginger/Patsy) performed in The Public’s Sweat Mobile Unit National Tour. Nowlin has performed Off-Broadway at Rattlestick, Atlantic, and Second Stage and regionally at the Guthrie (Sally & Tom premiere), Westport, and Shakespeare Theatre DC (Helen Hayes nominee). Film/TV credits include Lemon Shark (writer/director/composer), The Hunt, Blood Stripe (co-writer/producer), Young Adult, The Adjustment Bureau, “New Amsterdam,” “One Dollar,” “Outsiders,” “Blacklist,” “Ironside,” “The Carrie Diaries,” and “Rubicon.” Nowlin has received a LAFF Jury Award, Audience Award Austin Film Fest, Yale in Hollywood Best Dramatic Film, TCFF Breakout Performance Award, and Knight Foundation Grant. MFA Yale; BFA SMU. katenowlin.com
Daniel Petzold
Geoff/Cooper/Colonel Carey/Mr. Tobias
DANIEL PETZOLD he/him (Geoff, Cooper, Colone. Carey, Tobias). Public debut. Off-Broadway credits include Switzerland (59E59) and Pushkin (american vicarious). His selected regional credits include Sally & Tom, Hamlet, The Importance of Being Earnest (The Guthrie); Airness (Park Square Theatre); American Son (Florida Studio Theatre); A Christmas Carol (Cincinnati Playhouse); Macbeth, Twelfth Night, Measure for Measure (The Old Globe); Three Sisters (Berkeley Rep); A Bright New Boise (Aurora); and Another Way Home, Any Given Day (The Magic). Petzold has appeared on TV in “FBI.” He received an MFA from The Old Globe.
Myxolydia Tyler
Understudy Luce/Sally, Maggie/Mary
MYXOLYDIA TYLER (Understudy Luce/Sally, Maggie/Mary). World Premieres: Sally and Tom (Guthrie Theatre); Berta, Berta! (Everyman Theatre); Sheepdog (Contemporary American Theatre). Film: Cathedral. Off-Broadway: Hamlet (The Public), The House That Will Not Stand (MTC reading), A Season to Unravel (Signature Theatre workshop). Television: “Law & Order,” “New Amsterdam,” “Manifest,” “Homeland,” “I am Homicide.” Tyler has been involved with campaigns for Reckitt Benckiser, Golden Corral, Mercedes Benz, and Pandora.
Khiry Walker
Understudy Kwame/James, Devon/Nathan
KHIRY WALKER he/him (Understudy Kwame/James, Devon/Nathan). The Public: Much Ado About Nothing. Off-Broadway: Blues for an Alabama Sky (Keen), Three Musketeers (CTH). TV: “Long Bright River,” “Law & Order: Organized Crime.” Podcast Series: “Can you dig it?” Mr. Walker thanks his family and friends, classmates and coaches, and his manager for their encouragement and loving support.
SUZAN-LORI PARKS (Playwright) is the first African-American woman to receive the Pulitzer Prize in Drama. Other honors include the Tony Award, MacArthur Genius Grant, and the Gish Prize for Excellence in the Arts, and she was recently inducted into the Theater Hall of Fame. In addition to the 20th Anniversary Tony Award-winning Broadway revival of Topdog/Underdog, Parks’ most recent world premieres include The Public’s productions of Plays for the Plague Year and The Harder They Come, as well as Sally & Tom at the Guthrie Theater. Her other works includes The Gershwin’s Porgy and Bess (Tony Award for Best Revival), 365 Days/365 Plays, Father Comes Home from the Wars (Parts 1, 2 & 3), Fucking A, The Book of Grace, Unchain My Heart: The Ray Charles Musical, and In the Blood. Parks also works extensively in film and television, most recently as the screenwriter for The United States vs. Billie Holiday and Genius: Aretha as creator, writer, and showrunner. Her novel Getting Mother’s Body is published by Random House, and in her spare time, she writes songs and fronts her band Sula & The Noise. Parks is a former writing student of James Baldwin.
STEVE H. BROADNAX III (Director). Credits include Thoughts of a Colored Man (Broadway), Suzan-Lori Parks’ Sally & Tom (world premiere, Guthrie Theatre), Katori Hall’s Pulitzer Prize-winning The Hot Wing King (world premiere, Signature), Lee Edward Colston’s The First Deep Breath (Geffen Theatre, Jeff Awards Best New Work), Dominique Morisseau’s Blood at the Root (National Black Theatre, Kennedy Center's Hip Hop Theater Creator Award), and William Jackson Harper’s Travisville (world premiere, Ensemble Studio). Broadnax is a member of Ensemble Studio Theatre, Associate Artistic Director at People’s Light Theatre, and Professor of Theatre and head of MFA Directing at Penn State University.
THE GUTHRIE THEATER (Joseph Haj, Artistic Director) is an esteemed center for theater performance that seeks to illuminate our common humanity and transform our world through the power of live theater. Based in Minneapolis, Minnesota, and firmly rooted in the community since 1963, the Guthrie is dedicated to producing classic and contemporary works with excellence, cultivating artists and inspiring the next generation of theatergoers. Open to the public year-round and welcoming more than 350,000 patrons annually, the Guthrie houses three state-of-the-art stages, production facilities, classrooms, restaurants and dramatic public spaces. guthrietheater.org
RICCARDO HERNÁNDEZ (Scenic Design). 30+ productions at The Public Theater. Recent: Florencia en el Amazonas; Jagged Little Pill; Frankie and Johnny…; Indecent; The Thanksgiving Play; Porgy and Bess; Lempicka. International: Théâtre de l'Odéon, Festival Automne, La Colline-Theatre National Paris, Cour D’Honneur, Avignon Festival, Teatro Real Madrid, Moscow Art Theater, Theater an der Wien, Oslo National Theater, Estates Theater Prague, Young Vic. Obie (Sustained Excellence of Scenic Design), Henry Hewes Design Award, Princess Grace Statue Award. Co-Chair/Associate Professor at Yale School of Drama. riccardohernandez.com
RODRIGO MUÑOZ (Costume Design). Originally from Mexico City. Off-Broadway: Plays for the Plague Year (Public Theater); Bernarda’s Daughters (The New Group); Sorry for Your Loss (Minetta Lane Theatre); RENT (Paper Mill Playhouse); Notes From Now (Prospect Theater Company); Preparedness (Bushwick Starr). Regional: The Bluest Eye (Huntington Theatre), Red Velvet (Shakespeare Theatre Company); Torera (Alley Theatre); Cabaret (Barrington Stage Company); Somewhere (Geva Theatre); Mushroom (People’s Light), Upcoming: Dial M for Murder (Alley Theatre); Mother Road (Berkeley Rep); La Rondine (MSM). rodrigomunozdesign.com
ALAN C. EDWARDS (Lighting Design). The Public: Baldwin and Buckley at Cambridge (Elevator Repair Service). Off-Broadway: Harry Clarke, Scene Partners (The Vineyard); Kill Move Paradise (NBT); Fires in the Mirror, Twilight: Los Angeles, 1992 (Signature). Regional: Sally & Tom (Guthrie); Lights Out: Nat “King” Cole (Geffen Playhouse). Dance: Chasing Magic, NYCC Artists at the Center 2023 (Ayodele Casel); Lifted (Christopher Rudd, American Ballet Theatre). Broadway: Associate to Jennifer Tipton on The Testament of Mary. Education: Yale School of Drama. alancedwards.com
DAN MOSES SCHREIER With SLP: P4TPY, Death of the Last Black Man…; Topdog/Underdog; Book of Grace; Father Comes Home From the Wars; White Noise. Broadway: Harmony, A Soldier’s Play, The Iceman Cometh, American Psycho, Falsettos, Sondheim on Sondheim, A Little Night Music, Gypsy (with Patti LuPone), John Doyle’s Sweeney Todd, world premieres Gem of the Ocean and Radio Golf, Pacific Overtures, Assassins, Into the Woods, Noise/Funk. Awards: five Tony nominations, four Drama Desk Awards, Obie Award for Sustained Excellence, MacDowell fellow. danmosesschreier.com
J. JARED JANAS (Wig, Hair, and Make-Up Design). The Public: Eve’s Song, Miss You Like Hell, The Low Road, Father Comes Home from the Wars…, Detroit ‘67. Select Broadway: Prayer for the French Republic; Purlie Victorious; Sweeney Todd…; Kimberly Akimbo; & Juliet; Good Night, Oscar; Ohio State Murders; Jagged Little Pill; Indecent; Frankie and Johnny…; Sunset Boulevard; Motown; The Visit; Lady Day at Emerson’s Bar and Grill; The Gershwins’ Porgy and Bess. Recent Off-Broadway: Buena Vista Social Club.
RACHEL M. F. KENNER any pronouns (Prop Manager). The Public: Manahatta; as an artisan: Girl From the North Country, Suffs, many years at Shakespeare in the Park; assistant prop manager: Vagrant Trilogy, Gently Down the Stream. Other selected credits include Broadway: Merrily We Roll Along, Leopoldstadt, The Glass Menagerie; Atlantic Theater Company (Elyria); LCT (Marys Seacole, Queens, Dada Woof Papa Hot).
KELSEY RAINWATER (Intimacy and Fight Director). The Public: Manahatta, The Tempest (Public Works), Measure for Measure (Mobile Unit), White Noise. Off-Broadway: Blues for an Alabama Sky. Regional: Sally & Tom; In the Southern Breeze; Mojada: A Medea in Los Angeles; Wish You Were Here; Dreamgirls; Who’s Afraid of Virginia Woolf; Choir Boy; The Light; Pass Over. Film: Baby Ruby. TV: “The Green Veil.”
MICHAEL ROSSMY (Fight and Intimacy Direction). Broadway: A Tale of Two Cities; Superior Donuts; Cymbeline. Off-Broadway: White Noise, Measure for Measure, The Vagrant Trilogy, Troilus and Cressida (The Public Theater); What the End Will Be (Roundabout); Blues for an Alabama Sky, This Space Between Us (Keen Co); Peerless (Primary Stages). Regional: extensive credits. Rossmy is the Resident Fight and Intimacy Director for Yale Rep, a lecturer in Acting at David Geffen School of Drama, and the Combat and Intimacy Supervisor for Yale College.
EDGAR GODINEAUX (Choreographer). The Public: The Harder They Come (Lucille Lortel, Outer Critics Circle, Drama Desk nominations: Outstanding Choreography). Chicago: Personality: The Lloyd Price Musical (Jeff Awards nomination: Choreography). LA: Lights Out: Nat “King” Cole (Barrymore Award: Outstanding Choreography/Movement); Memphis the Musical (NAACP nomination: Best Director/Choreography for Larger Theatre). Broadway associate choreographer: Ain’t Too Proud (Tony: Best Choreography), Memphis the Musical (Tony: Best Musical; Olivier Award: Best Choreography). Choreographer: Jelly’s Last Jam (New York City Center Encores!). edgargodineaux.com @egoconcepts
JESSE CAMERON ALICK (Production Dramaturg) is a dramaturg, producer, poet, playwright, essayist, artistic researcher and science fiction expert. Alick is the Associate Artistic Director at the Vineyard Theatre and an active freelance dramaturg at various off-Broadway theaters in NYC, nationwide and internationally. Alick studied writing with Adrienne Kennedy and has taught theater courses, lectured at classes and mentored students at a myriad of programs, currently teaching at NYU.
NORMAN ANTHONY SMALL he/him (Production Stage Manager). Broadway: The Shark Is Broken, Leopoldstadt, American Buffalo. Off-Broadway: Where We Stand (WP Theater); Halfway Bitches Go Straight to Heaven (Atlantic Theater Company). Regional: Crossroads Theatre Company, Long Wharf Theatre, Baltimore Center Stage. Education: Master of Business Administration in Media Management (Metropolitan College of New York); Bachelor of Music in Music Engineering Technology (University of Miami). Award: Charlie Blackwell Symposium Scholarship for Stage Managers of Color.
JONAH YODER he/him (Stage Manager) is a NYC-based stage manager excited to be returning to the Sally & Tom team, initially acting as Script Supervisor for the production. Recent work includes The Buena Vista Social Club (Atlantic Theater), Everything's Fine (Daryl Roth Theater), and Dial M for Murder (Baystreet Theater). He'd like to thank his family for their encouragement and constant support. Love to the Chickens!